Tsymbaly and fiddle, traditional Hutsul musical instruments.

Authentic Hutsul Music from the Ukrainian Carpathians.

MUSIC

Yura Danyshchuk

Below is a list of tracks as they appear on the Hutsul Magic CD. To listen to audio samples click on the notes symbol next to the track name.

1 – Verkhovyna medley.♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion. There is also a video of this performance.

2 – Hutsulka from Shepit. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion. Every Hutsul region (often – every village) has its own musical style and even melodies. The “Hutsulka” dance as it is played in Shepit differs from the same dance in the region around Verkhovyna (last track on this record).

3 – Mogur’s Tune. ♫♫

Yura Danyshchuk – fiddle. Mogur (nickname, real name Vasyl Hrymaliuk, 1920 – 1997) was a legendary fiddler and is still remembered with respect by most traditional musician.

4 – Wedding Medley. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion. This medley consists of 5 tunes: the first three (0:00-2:26) are marches that are played at the start of a wedding or to greet wedding guest when they arrive; the forth is a tune played when the bride is led out of the parents’ house; the last tune (4:30 – 4:56) is played when the bride and the groom walk to church.

5 – Wedding Melodies. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion. Such tunes are played by musicians to kill time and to entertain wedding guests while everyone is waiting for the wedding feast to start.

6 – Wedding Present Tunes. ♫♫

This tune is played at the end of the wedding feast when close and distant relatives line up to give presents to the young couple. While the line is moving along and relatives speak their wishes and give presents, musicians play the slow melodies; when gifts change hands and relatives raise a glass to toast the young couple, musicians switch to “fanfare” (the last part).

Yura, Mykola and Mykhailo Danyshchuk

7 – Slow Fiddle Tune. ♫♫

Yura Danyshchuk – fiddle.

8 – Table singing. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion and singing. Hutsul parties often end by everyone taking turns to sing. When musicians are present to help, such singing sessions sometimes last up to an hour.

9 – Singing Melodies. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly. Some more tunes that normally accompany singers at parties.

10 – Slow Melodies from Verkhovyna. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Ivan Isaychuk – fiyarka.

11 – Medley of Old Dances. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Ivan Isaychuk – fiyarka, Ivan Danyshchuk – percussion. These dances have curious names: Koromyslo – a carved piece of wood used for carrying two buckets of water; Tsvytchok – a small nail; Resheto – the sieve. The young people no longer know these dances, they survive only in memories of older musicians.

12 – Tsymbaly Melodies. ♫♫

Mykola Danyshchuk – tsymbaly.

13 – Love Song. ♫♫

Yura Danyshchuk – fiddle, Maria Danyshchuk – singing. This type of song – kolomyika – is typical for the Hutsul region while the ancient style of singing is typical for Shepit. The content in two words: “ Instead of looking for troublke, guys, find yourselves some girls and get married; the girl on the hill can embroider a shirt, the girl in the valley likes to go out; the one on the hill has oxen and pigs, the one in the valley has nice black eyes…”

14 - Flowers Waltz. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion. This, as well as the Moldavian and Jewish dances, are not of Hutsul origin, but they became popular in the second half of the 20th century and are performed in a typical Hutsul manner.

15 – Moldavian Polka. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Ivan Isaychuk – fiyarka, Ivan Petrytsiyuk – bayan, Ivan Danyshchuk – percussion.

16 – Jewish Dance. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Ivan Isaychuk – fiyarka, Ivan Petrytsiyuk – bayan, Ivan Danyshchuk – percussion.

17 – Moldavian Waltz. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Ivan Isaychuk – fiyarka, Ivan Petrytsiyuk – bayan, Ivan Danyshchuk – percussion.

From right to left: Ivan Petrytsiuk, Ivan Isaychuk, Mykola Danyshchuk, 
Yura Danyshchuk, at a wedding in Shepit.

18 – Shepherds’ Melodies. ♫♫

Mykola Slovak – trembita, Mykola Danyshchuk – fiyarka, Yura Danyshchuk – fiyarka and clarinet. The first tune, on trembita, used to be played at alpine pastures to signal the time of day, such as time for milking the sheep, etc. The second and third melodies are typical tunes played by shepherds while tending cattle or sheep; the use of clarinet is atypical for shepherds’ music but a good illustration of the curious Hutsul nature – they will to try out and master every interesting instrument.

19 – Christmas signal and carols. ♫♫

Mykola Slovak – trembita, fidlle; Yura Danyshchuk – fiddle; Vasyl Haborak – horn and singing; group of male carolers – horns & singing. Traditionally, Christmas caroling was done by adult (married) males, who would visit every house of the village and sing extremely long carols accompanied by a fiddler; often there would be a party afterwards, that’s why caroling could last up to three weeks. Carolers announce their arrival with a signal on trembita and horns.

20 – Hutsulka from Verkhovyna. ♫♫

Yura Danyshchuk – fiddle, Mykola Danyshchuk – tsymbaly, Mykhailo Danyshchuk – percussion.

Photos: top - Yura Danyshchuk at home in Shepit, Summer 2008; in the middle - Yura (fiddle), Mykola (tsymbaly) and Mykhailo (drum) Danyshchuk, Shepit, Summer 2007; bottom, from right to left - Ivan Petrytsiuk, Ivan Isaychuk, Mykola Danyshchuk, Yura Danyshchuk, at a wedding in Shepit, Summer 2008.

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